Showing posts with label dress. Show all posts
Showing posts with label dress. Show all posts

Wednesday, June 15, 2011

Bollywood Beauties Dress, Saree and Gown Looks

Bollywood Beauties wearing different Dresses in Different Functions but having same Gorgeous Look in every Dress, Saree and Gown.

Looks for Beauties have a Sensational Look in Different DressUps.See Pictures of different Looks having one Actress.

Aishwarya Rai:-

Bollywood Beauties Dress, Saree and Gown Looks

Sonam Kapoor:-

Bollywood Beauties Dress, Saree and Gown Looks

Priyanka Chopra:-

Bollywood Beauties Dress, Saree and Gown Looks

Katrina Kaif:-

Bollywood Beauties Dress, Saree and Gown Looks

Kangana Ranavat:-

Bollywood Beauties Dress, Saree and Gown Looks

Bipasha Basu:-

Bollywood Beauties Dress, Saree and Gown Looks

Deepika Padukone:-

Bollywood Beauties Dress, Saree and Gown Looks

Anushka Sharma:-

Bollywood Beauties Dress, Saree and Gown Looks

Kareena Kapoor:-

Bollywood Beauties Dress, Saree and Gown Looks

Sunday, May 29, 2011

Pattern Magic, revisited

This is my second attempt at this pattern; the design from page 10 of Pattern Magic by Tomoko Nakamichi; my first was here.  I loved the design, but unfortunately that first dress was kinda disastrous.  Firstly, I didn't love the fabric I had used, which was a super-cheapy thick-ish polyester selected for its colour only from the remnants table.  On top of the doubtful quality of the fabric and the fact that it didn't drape very well, my finishing off of that dress was of equally doubtful quality...  I didn't have enough of the blue to cut facings, and used instead a tobacco coloured fabric, a too-thin and also-nasty scrap of polyester.  And I didn't fit the dress properly to myself, and allowed too much seam allowance around the armscye, but sewed a normal width seam allowance, resulting that the dress dug into my armpits in a painful and irritating way, and to unpick the stitching plus understitching around the armscye just seemed all too difficult, since I had sewn them up scrupulously well, and combined with the nasty fabric quality... (deep breath)  I guess in hindsight I was treating the dress like a muslin, which is how it turned out as I wore it precisely two times.  I know, I'm embarrassed by my wastefulness, too...  I can only hope that someone at the Salvos with smaller arms than me saw something good in that thing...
Enough with the saga of sewing failure...
The good news is that I still loved the design enough to really want to have a go at a better one, using nice fabric.  Et voila!


side views (one is more interesting than the other...)


Details:
Dress; drafted from the Japanese pattern book Pattern Magic by Tomoko Nakamichi, in slightly nubbly, charcoal-marle polyester/wool suiting
Petticoat; (honestly can't really remember the pattern I used for this), black satin, another picture here
Top and tights; Metalicus
Boots; Andrea and Joen, from Uggies in Dunsborough


back view


Dressmaking details:
There is only one front piece and one back piece, but the shape of the pieces is such that the bodice area is on-grain, but the skirt section is on the bias.  Resulting in that lovely ripply drape. 
This time I carefully measured the bodice area, armscye and the hip area against an old favourite Burda 8511; and made the necessary fitting adjustments to the armscye.  The fabric is a rather nice thin and very drape-y, but still a bit nubbly wool/polyester mix suiting fabric in charcoal marle.  For the cord casing around the "hole" I made bias tape from the same fabric.  The cord is a 120cm brown/black bootlace.
I cut the facing pieces from the same fabric so that the fabric selvedge edge forms the lower edge of the facing.  These pieces are not interfaced; I think the fact they are cut on the cross-grain, while the bodice is on-grain will provide enough stability to this area, and I love the softness of the finished bodice.  The neckline and armscyes are under-stitched and not topstitched.  The other raw edges inside the dress are overlocked to finish, and the hem is hand-stitched.

Monday, May 23, 2011

Oo la la

I've made a new dress for winter!
This fabric, a sort of very roughly spun and woven silk, with some very stiffish almost stick-like pieces woven into it, was one of my Christmas presents; that I bought so the children could have some things to give me; hehe, I know, so thoughtful of me...  I always wanted to make some sort of unadorned sheath dress with it, something that was plain-ish, yet still chic and polished, that could be dressed up or down to suit a multitude of "looks".  And in an ideal world, pockets would be in there too somehow.  But how to incorporate pockets into a sheath dress?   It is almost impossible, without resorting to the ol' patch pockets, which are not very chic and not a very polished look.  I wanted "polished", in case if I so desired I just could wear my dress to semi-formal do-es.  Occasionally, I do so desire.  So when I saw this pattern, dress 128 from the 08/2009 Burdastyle magazine I realised that while the dress did appear quite fitted and sheath-like, the pleated fullness at the front of the skirt meant that inseam side pockets were a distinct possibility.  So I tried out putting some in, and they worked out pretty good, imo.  Yes! (self high five)  Is that a case of having my cake and eating it too, or what?!
Apart from the inseam pockets, I made a few other small modifications.  Firstly, I have a slight pet aversion to dresses that have a waist seam on the front and not on the back.  Just privately, it bothers my pernickety need for order and continuity... so I cut the back pieces to have a corresponding waist seam at the back, corresponding to fit with the front waist seam.  This also enabled me to make a slight sway back adjustment easily, a double win.
Also, my dress is fully lined with acetate lining fabric, unlike the pattern, which stipulates a bodice lining only.  Why would you have a lined bodice, and not go that small extra step to line the skirt section? Hmmm...  imo, a skirt lining is mandatory in a winter dress, so it doesn't stick to your tights.  For my dress lining pieces, apart from the very top neckline and sleeve bits which are to the pattern, I used mostly the lower portion of an ol' faithful Burda 8511.  So apart from the bust darts at the front, and long double ended body darts at the back, the lining is quite plain.
I also opted to line the sleeves, for extra warmth.  But here I made a small error of misjudgement, although I know that sleeve linings need wearing ease, at this stage I was happily whizzing ahead in my blissful little sewing trance, and didn't incorporate enough into mine.  Agreed, I should know better by now... still, this is only a problem for that one moment in my day when I am trying to zip up the thing at the back, you know when you are twisted in that position with one arm up and one arm down behind your back, trying to hold that back centre seam in place with one hand and grab the zip pull with the other to pull it up?  I'm sure this is one of the main reasons yoga was invented.  I mean, the need to stay limber enough so we can get our back dress zips up by ourselves, naturally... 
The fabric is that sort of silk that frays like a madman, fraying all by itself just seconds after it has been cut. So I edged all the straight raw edges in HongKong seaming, while some of the "hidden" ones up inside the bodice and in the sleeves were just overlocked to finish...  did someone just say "lazy?"  Who, moi?  On the bottom hem, I made a wide strip of bias binding to make a divinely wide hem...  just look at that hem width, and not a raw edge to be seen anywhere.  Couture heaven, no?!


Details:
Dress; pattern no 128 Burdastyle magazine 08/2009 with some modifications, silk
Sandals; akiel, from an op shop




Below is my pattern review, if you are interested...


Pattern Description:
This figure-following sheath dress constitutes a tribute to all Paris fashion designers; the bodice remains plain while little waist tucks lend the skirt a refined tulip look  (don't you just love Burdastyle descriptions...!)
Pattern Sizing:
36-44, I sewed a 38, and  graduated the skirt pieces out to 40 from hip height down because I wanted to incorporate inseam side pockets.
Did it look like the photo/drawing on the pattern envelope once you had finished sewing it?
yes!
Were the instructions easy to follow?
very straightforward and easy
What did you particularly like or dislike about the pattern?
There's nothing not to like about this pattern!  I made a few slight modifications to suit my personal taste.
Fabric Used:
A roughly spun and woven silk, with acetate lining
Pattern alterations or any design changes you made:
I incorporated inseam side pockets.  The slight flare at the front of the skirt provided by the waist pleats made this an obvious modification, and very easy to do.
I cut the dress back pieces to have a waist seam, corresponding to the waist seam at the front of the dress.  I prefer the continuity of this look, and it also enabled me to make a slight sway back adjustment.
I fully lined the dress, including the skirt and sleeves.  For the dress lining pieces, I used a plain shift dress pattern I already have; which does not have the shaping of the main dress pieces.  For the sleeve linings I used the pattern pieces, although, note to others who plan to do this, be sure allow some wearing ease here!
Would you sew it again? Would you recommend it to others?
I highly recommend this to others!
Conclusion:
This is an easy dress pattern with a lovely, flattering and classic shape.

below; side view, with pockets in action...